Movies come and go, but only a few can mark their presence on the movie-goer’s timeline. Uri: The Surgical Strike marks its presence in the same way. The movie strikes the right message at the right time, and with surgical precision—for the pun’s sake. The patriot within me wants to rate it a complete 5 on 5. But, alas, for the careful watcher that wishes to nitpick.
As you would’ve guessed, a detailed review follows…
The movie is set as a reply to the provocative terror attacks from “the other side”. It is a carefully chosen plot because it creates a “pull” for the audience. A bleeding patriot would wish it to be telecast alongside Border and Lakshya every 26th January and 15th August.
Despite the fact that there is A LOT to talk about, I cannot say much about the movie—<gasping>overwhelmed. As I gather myself back from the void of awesomeness, here is how I would put the overall experience:
The beautiful locations. The humming of soldiers as they cruise past countless trees. The uniforms! The thumping background scores. The eyes that bleed blood, not tears. The passion that flows through the veins. The nerves of steel. And, the heart of gold. Go, live the experience in a theatre near you, alongside 100 other enthusiasts.
From chapter 1 through 5, this movie dedicates itself to the central plot of “We are humans first”. But, it goes through a lot to help you experience the message. The emotional side of a soldier is often overdone in movies. This one, however, is an exception. It has the right amount of everything: you have a bit of drama, comedy, despair, a hint of romance (yes, hint of), a lot of action, plenty of facts, a couple of heart-in-mouth surprises, some sound logic and a hell lot of underpinning revenge.
It is only toward the end of the first half that you get to see the title of the movie appear. Don’t be surprised because it fits the flow of the plot and triggers what happens next: the surgical strike. Then follows the chronology of the “D-Day” when the story begins to flow with unexpected twists, turns, and bumps. The pace is covered rather well. The preparations have been covered in days. And, the D-Day proceedings, in moments. Every minute is used carefully to unfold the story before you. On a lot of moments, the audience, including me, wanted to stand up and shout “Bharat Mata ki Jai” out loud, if not clap for the gallant efforts.
The movie also highlights the lives of commandos, who, by the way, fight more wars than we think, both on the battlefield and within themselves. For that reason alone, Vicky Kaushal, playing Major Vihaan Singh Shergill, is the perfect pick for the lead role—he has done both with ease. He ushers us to a vantage point where we first see the life of Major and then become a part of it. As he begins uttering the regiment’s war cries, you want to see Vihaan’s tears evaporate as they trickle down his cheek. The loss of a dear friend, you wish, should not go in vain. That the revenge must be served. Good direction, there, by the debutant, Aditya Dhar. I am not surprised seeing an IMDb rating of 9.4 on 10, already.
This brings me to what I like about the movie. Vicky Kaushal as the lead and Mohit Raina (yes, the “Devon-ke-dev-Mahadev” famous) are dapper in tuxedos and rock solid in the uniforms. Paresh Rawal is as invisible as ever; don’t get me wrong, but with his level of finesse, I only saw the character he was playing for he slipped into his role that seamlessly. Yami Gautam is effortless in her role as first, the nurse, and later, as the intelligence officer. She perfectly flaunts the beauty-with-brains combination. I’d have liked the senior actor Rajit Kapur to do voice modulation for playing Narendra Modi, but he has his own signature style. Blame it on the plot and the cause, every single actor has given their best. We laugh when they laugh. We cry when they cry. We feel their pain as much as they do.
What else does one expect from a wartime movie? Perfectly picturized action sequences: absolutely no glitches. Zero misses on the storyline. Authentic mano-a-mano fight sequences and blood spurting. The action sequences are well-executed and we couldn’t find any loose ends. To that, the movie itself is perfectly woven; one subplot leads to another, and one scene begins only where the other ends. No parallel stories.
What could have been better? Well, frankly, it could have been a six-hour mega-movie and still have things left unsaid, so much of meticulous planning, training, technology, intelligence, hard work was required for a flawless fructification. Your first thought as you step out of the theatre is, “if so much research and effort went into making only a ‘movie’, imagine what would have been the scale of research and efforts in implementing it in the real time?”
I wish I could do a lot more whistling, roaring, and clapping; both for the real efforts and for the movie. The cinematography and direction have together put up an experience that makes me feel I got more returns than I invested. If time permits, I will watch it again.